Carrie Singleton is just about done with Clover Ridge, Connecticut until she’s offered a job as the head of programs and events at the spooky local library, complete with its own librarian ghost. Her first major event is a program presented by a retired homicide detective, Al Buckley, who claims he knows who murdered Laura Foster, a much-loved part-time library aide who was bludgeoned to death fifteen years earlier. As he invites members of the audience to share stories about Laura, he suddenly keels over and dies.
The medical examiner reveals that poison is what did him in and Carrie feels responsible for having surged forward with the program despite pushback from her director. Driven by guilt, Carrie’s determined to discover who murdered the detective, convinced it’s the same man who killed Laura all those years ago. Luckily for Carrie, she has a friendly, knowledgeable ghost by her side. But as she questions the shadows surrounding Laura’s case, disturbing secrets come to light and with each step Carrie takes, she gets closer to ending up like Al.
Now it’s due or die for Carrie in Death Overdue the delightful first in a new cozy series by Allison Brook.
Michael Crichton, the #1 New York Times bestselling author of Jurassic Park, returns to the world of paleontology in this recently discovered novel—a thrilling adventure set in the Wild West during the golden age of fossil hunting.
The year is 1876. Warring Indian tribes still populate America’s western territories even as lawless gold-rush towns begin to mark the landscape. In much of the country it is still illegal to espouse evolution. Against this backdrop two monomaniacal paleontologists pillage the Wild West, hunting for dinosaur fossils, while surveilling, deceiving and sabotaging each other in a rivalry that will come to be known as the Bone Wars.
Into this treacherous territory plunges the arrogant and entitled William Johnson, a Yale student with more privilege than sense. Determined to survive a summer in the west to win a bet against his arch-rival, William has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition. But when the paranoid and secretive Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, he abandons him in Cheyenne, Wyoming, a locus of crime and vice. William is forced to join forces with Cope and soon stumbles upon a discovery of historic proportions. With this extraordinary treasure, however, comes exceptional danger, and William’s newfound resilience will be tested in his struggle to protect his cache, which pits him against some of the West’s most notorious characters.
The Silver Bear Shop and Factory might be the cutest place around, but there’s nothing warm and fuzzy about murder . . .
As manager of the family teddy bear shop and factory, thirty-one-year-old Sasha Silverman leads a charmed life. Well, except for the part about being a single divorcee with a ticking biological clock in small-town Silver Hollow. And that’s just kid’s stuff compared to Will Taylor, the sales rep who’s set on making drastic changes to the business her parents built from scratch–with or without Sasha’s approval . . .
But before Will digs his claws in, someone pulls the stuffing out of his plan . . . and leaves his dead body inside the factory. Reeling from shock, Sasha’s hit with more bad news–police suspect her hot-tempered Uncle Ross may have murdered him. Sasha knows her uncle would never do such a thing, and she’s launching her own little investigation to expose the truth. As she tracks Will’s biggest rivals and enemies for clues, Sasha can’t get too comfy–or she’ll become the next plaything for a killer . . .
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What’s in a murderer’s bag of tricks?
Twenty-something Kailyn Wilde has learned to embrace her unpredictable life as a descendant of small-town New Camel’s most magickal family. She just didn’t expect to inherit her mother and grandmother’s centuries-old shop, Abracadabra, so suddenly. The surprises keep coming when Kailyn goes to finalize the estate at the local attorney’s office—and stumbles over the body of her best friend Elise’s husband . . .
As a brash detective casts the blame on Elise, Kailyn summons her deepest powers to find answers and start an investigation of her own. What with running a business, perfecting ancient spells, and keeping up with an uninvited guest of fabled origins, Kailyn has her hands full. But with the help of her uncanny black cat Sashkatu and her muumuu-clad Aunt Tilly, she’s closing in on a killer—who will do anything to make sure she never tests her supernatural skills again!
In GONE WITHOUT A TRACE, young professional Hannah returns from work to find her live-in boyfriend, Matt, is gone. His belongings have disappeared from their house. Every call she ever made, every text she ever sent, every photo of him and any sign of him on social media have vanished. It’s as though their last four years together never happened. As she struggles to get through the next few days, with humiliation and recriminations whirring through her head, she knows she’ll do anything to get answers. Where has he gone? Why has he left?
Then the messages start—cryptic and creepy texts and videos—and Hannah realizes that someone is watching her every move. And there are signs that someone has been in her house.
As her search for Matt progresses, Hannah treads further into madness and obsession—and the only way out is to come to terms with the one shocking truth she just can’t accept. . .
For anyone who has ever asked “Was it something I did?” GONE WITHOUT A TRACE brings to chilling light the doubt, fear, and obsession that can lie dormant in our most intimate relationships.
From the imprint that published Fiona Barton’s instant New York Times bestseller The Widow and Clare Mackintosh’s global phenomenon I Let You Go, comes Mary Torjussen’s GONE WITHOUT A TRACE (Berkley Trade Paperback Original; 978-0-399-58501-2; April 18, 2017; $16.00)—an electric, compulsive thriller about a boyfriend’s unexplained disappearance, and its corrosive effects on the woman he left behind.
When multiple body parts are recovered from the Little Ogeechee River in Savannah, Georgia, local law enforcement calls in FBI agent and profiler Brandon Fisher and his team to investigate. But with the remains pointing to three separate victims, this isn’t proving to be an open-and-shut case.
With no quick means of identifying the deceased, building a profile of this serial killer is more challenging than usual. How are these targets being selected? Why are their limbs being severed and their bodies mutilated? And what is it about them that is triggering this person to murder?
The questions compound as the body count continues to rise, and when a torso painted blue and missing its heart is found, the case takes an even darker turn. But this is only the beginning, and these new leads draw the FBI into a creepy psychological nightmare. One thing is clear, though: The killing isn’t going to stop until they figure it all out. And they are running out of time…
Quaker midwife Rose Carroll is enjoying the 1888 Independence Day evening fireworks with her beau when a teenaged Quaker mill girl is found shot dead. After a former slave and fellow Quaker is accused of the murder, Rose delves into the crime, convinced of the man’s innocence. An ill-mannered mill manager, an Irish immigrant, and the victim’s young boyfriend come under suspicion even as Rose’s future with her handsome doctor suitor becomes unsure. Rose continues to deliver babies and listen to secrets, finally figuring out one criminal – only to be threatened by the murderer, with three lives at stake. Can she rescue herself, a baby, and her elderly midwifery teacher in time?
Called to Justice is as much historical fiction as it is cozy mystery, and I found both aspects of the story to be riveting. A young, unmarried woman confides in Rose that she is expecting a child, and then ends up being murdered during the Independence Day fireworks celebration. Determined to find justice for the girl and her unborn child, Rose manages to squeeze in a little investigating, between birthing babies and checking on the well-being of her clientele of local women waiting to deliver.
There was a lot of attention to detail and historical accuracy where the births in the story were concerned. Read on to see what author Edith Maxwell has to say about midwives and the birthing process, and for a chance to win a copy of the book.