What’s in a murderer’s bag of tricks?
Twenty-something Kailyn Wilde has learned to embrace her unpredictable life as a descendant of small-town New Camel’s most magickal family. She just didn’t expect to inherit her mother and grandmother’s centuries-old shop, Abracadabra, so suddenly. The surprises keep coming when Kailyn goes to finalize the estate at the local attorney’s office—and stumbles over the body of her best friend Elise’s husband . . .
As a brash detective casts the blame on Elise, Kailyn summons her deepest powers to find answers and start an investigation of her own. What with running a business, perfecting ancient spells, and keeping up with an uninvited guest of fabled origins, Kailyn has her hands full. But with the help of her uncanny black cat Sashkatu and her muumuu-clad Aunt Tilly, she’s closing in on a killer—who will do anything to make sure she never tests her supernatural skills again!
In GONE WITHOUT A TRACE, young professional Hannah returns from work to find her live-in boyfriend, Matt, is gone. His belongings have disappeared from their house. Every call she ever made, every text she ever sent, every photo of him and any sign of him on social media have vanished. It’s as though their last four years together never happened. As she struggles to get through the next few days, with humiliation and recriminations whirring through her head, she knows she’ll do anything to get answers. Where has he gone? Why has he left?
Then the messages start—cryptic and creepy texts and videos—and Hannah realizes that someone is watching her every move. And there are signs that someone has been in her house.
As her search for Matt progresses, Hannah treads further into madness and obsession—and the only way out is to come to terms with the one shocking truth she just can’t accept. . .
For anyone who has ever asked “Was it something I did?” GONE WITHOUT A TRACE brings to chilling light the doubt, fear, and obsession that can lie dormant in our most intimate relationships.
From the imprint that published Fiona Barton’s instant New York Times bestseller The Widow and Clare Mackintosh’s global phenomenon I Let You Go, comes Mary Torjussen’s GONE WITHOUT A TRACE (Berkley Trade Paperback Original; 978-0-399-58501-2; April 18, 2017; $16.00)—an electric, compulsive thriller about a boyfriend’s unexplained disappearance, and its corrosive effects on the woman he left behind.
When multiple body parts are recovered from the Little Ogeechee River in Savannah, Georgia, local law enforcement calls in FBI agent and profiler Brandon Fisher and his team to investigate. But with the remains pointing to three separate victims, this isn’t proving to be an open-and-shut case.
With no quick means of identifying the deceased, building a profile of this serial killer is more challenging than usual. How are these targets being selected? Why are their limbs being severed and their bodies mutilated? And what is it about them that is triggering this person to murder?
The questions compound as the body count continues to rise, and when a torso painted blue and missing its heart is found, the case takes an even darker turn. But this is only the beginning, and these new leads draw the FBI into a creepy psychological nightmare. One thing is clear, though: The killing isn’t going to stop until they figure it all out. And they are running out of time…
Quaker midwife Rose Carroll is enjoying the 1888 Independence Day evening fireworks with her beau when a teenaged Quaker mill girl is found shot dead. After a former slave and fellow Quaker is accused of the murder, Rose delves into the crime, convinced of the man’s innocence. An ill-mannered mill manager, an Irish immigrant, and the victim’s young boyfriend come under suspicion even as Rose’s future with her handsome doctor suitor becomes unsure. Rose continues to deliver babies and listen to secrets, finally figuring out one criminal – only to be threatened by the murderer, with three lives at stake. Can she rescue herself, a baby, and her elderly midwifery teacher in time?
Called to Justice is as much historical fiction as it is cozy mystery, and I found both aspects of the story to be riveting. A young, unmarried woman confides in Rose that she is expecting a child, and then ends up being murdered during the Independence Day fireworks celebration. Determined to find justice for the girl and her unborn child, Rose manages to squeeze in a little investigating, between birthing babies and checking on the well-being of her clientele of local women waiting to deliver.
There was a lot of attention to detail and historical accuracy where the births in the story were concerned. Read on to see what author Edith Maxwell has to say about midwives and the birthing process, and for a chance to win a copy of the book.
Read the first chapter here.
Gemma Doyle, a transplanted Englishwoman, has returned to the quaint town of West London on Cape Cod to manage her Great Uncle Arthur’s Sherlock Holmes Bookshop and Emporium. The shop–located at 222 Baker Street–specializes in the Holmes canon and pastiche, and is also the home of Moriarty the cat. When Gemma finds a rare and potentially valuable magazine containing the first Sherlock Homes story hidden in the bookshop, she and her friend Jayne (who runs the adjoining Mrs. Hudson’s Tea Room) set off to find the owner, only to stumble upon a dead body.
The highly perceptive Gemma is the police’s first suspect, so she puts her consummate powers of deduction to work to clear her name, investigating a handsome rare books expert, the dead woman’s suspiciously unmoved son, and a whole family of greedy characters desperate to cash in on their inheritance. But when Gemma and Jayne accidentally place themselves at a second murder scene, it’s a race to uncover the truth before the detectives lock them up for good.
Sydney McCall left behind an ex-fiancé and a New York advertising job to return home to Deer Park, North Carolina and help her sister, Kat, run the local animal shelter, Friendly Paws. Determined to save the shelter from financial trouble, Sydney and Kat organize a cat café fundraising event at a local coffee shop. Things are looking up until their landlord, Trowbridge Littleton, threatens to shut down the event. When Sydney drops by his art gallery to make peace, she finds Kat–along with Littleton’s dead body.
Local homicide detective Will Worthington–who just happens to be Sydney’s old high school crush–is highly suspicious of the sisters’ involvement. Desperate to clear their names from the suspect list, Sydney pounces on the investigation. With the help of one of the shelter cats, a savvy orange tabby named Toby, Sydney begins poking her nose into other local businesses whose owners may have benefited from Littleton’s death–until the killer notices she’s pawing a little too closely at the truth.
Wefan is leaking from the world, and the blood-priests of the oppressive god Murak rise again to bring war to the lands of Dumnon. They search for those with Wealdan in their blood, for this gives them power. Power to twist, to alter and control, and ultimately to gain yet more power. In horrifying blood-rites practised on both humans and creatures, they gorge on the blood of innocents, destroying farms and families, conquering swathes of territory and gaining new followers. But not all Wealdan-infused blood carries the same intoxicating fuel. The blood-priests seek one above all others.
Against a background of failing states, magik and spirits, Coryn and Katleya lose all that they have and must flee all that they know. Coryn, protected by a cracked amulet, must find his sister and fulfill an oath. Katleya has only her wits and her knives to defend herself. Desperate to reach a haven where she can learn to use her power fully, Katleya uses her Wealdan to do little other than see the Wefan. But she is hunted by those who would use her for terrible purposes of their own.
A story as intricate and as powerful as any Weaving of the Wefan.